Topics

[Note:]

Note: The Creativity Alliance was formerly known as the White Crusaders of the RaHoWa
http://www.google.com/search?q=white+crusaders+of+the+rahowa

SA Attorney-General wants racist website closed down

The World Today - Tuesday, 31 January , 2006
Reporter: Nance Haxton

http://www.abc.net.au/worldtoday/content/2006/s1559149.htm

http://www.abc.net.au/reslib/200601/r70954_197352.mp3

ELEANOR HALL: In South Australia, Attorney-General Michael Atkinson has called on the state's police to investigate and close down a race hatred website based in Adelaide.

The White Crusaders site attacks Jews and what it describes as "mud races" and asks for donations.

And as Nance Haxton reports from Adelaide, the South Australian Attorney-General is asking the communications and media regulator to remove the website.

WEBSITE AUDIO: Racial greetings my white brothers and sisters. Welcome to the White Crusaders of the Racial Holy War website. RAHOWA.

NANCE HAXTON: This is the greeting that confronts people when they access the website that has caused so much concern to South Australia's Attorney-General Michael Atkinson. He says he wants it closed down.

MICHAEL ATKINSON: The White Crusader website appears to be a mirror of an American web portal, although there is a contact here in Adelaide who's styled the Reverend Cole Campbell the Third.

I don't know who that is. It may be being run by people in Adelaide. Its reasoning appears to me to be quite insane and I rather doubt that it will acquire a following.

NANCE HAXTON: Nevertheless Mr Atkinson says he's referred the matter on to police who can investigate and prosecute the website owners under the state's racial vilification laws.

MICHAEL ATKINSON: We have a law in South Australia against racial vilification enforced by the police. We have a national classification system to protect people against offensive material. I'm sure that that system operates sensibly.

We have to balance free speech with our law to protect people from unsolicited offensive material. It's always a difficult question. I've read the material of the White Crusaders of the Racial Holy War. They appear to be quite mad.

The degree to which the law should crack down on them is a fine judgement. It is undoubtedly offensive material. In a way, it's a pity that public attention has been drawn to it because the White Crusaders of the Racial Holy War will glory in the publicity, with a view to recruitment.

NANCE HAXTON: The state's police Commissioner Mal Hyde says police will do all they can to prosecute the website's creators.

MAL HYDE: Well, it depends on the circumstances and the general laws can apply, so that if racial vilification includes inciting violence or actually taking some sort of violent action, or offensive behaviour or something of that nature, we can take action there and if it includes a website, it may be that it offends against telecommunications legislation as well.

We don't see a lot of racial vilification in South Australia but we do have particular groups who from time to time, raise their head. Often when they see that they're getting some sort of legitimacy in the community and they do raise their head.

They're groups that we monitor if they have some sort of violence or inciting of violence or threatening of violence behind it, they're the sort of groups we monitor.

ELEANOR HALL: That's South Australia's State Police Commissioner Mal Hide ending that report from Nance Haxton.

[Note:]

Note: The Creativity Alliance was formerly known as the White Crusaders of the RaHoWa
http://www.google.com/search?q=white+crusaders+of+the+rahowa

White supremacists online in Adelaide
January 31, 2006

Original URL:
http://www.theage.com.au/news/national/white-supremacists-online-in-adelaide/2006/01/31/1138590485159.html

Updated URL:
https://www.theage.com.au/national/white-supremacists-online-in-adelaide-20060201-ge1o3p.html

A white supremacist group, which targets Jews, African Americans and other minority groups as inferior, has based part of its activities in Adelaide.

The US established White Crusaders of the RaHoWa (racial holy war) have set up a local website which lists a contact address as a suburban Adelaide post office box and an Australian business number.

The website has been described as disgusting by South Australian Attorney-General Michael Atkinson who has referred it to local police in a bid to have it shut down.

He says he will also raise his concerns with the Australian Communications and Media Authority (ACMA) and will write to the company hosting the site in a bid to have the content removed.

"I am disgusted by the blatant white supremacist comments on this website and will act swiftly to seek their removal," Mr Atkinson said.

"Our state has long embraced people from all nations and acts like this that seek to divide our society should not be tolerated."

According to the website, the White Crusaders base their philosophies on the writings of Ben Klassen who is described as the founder of the religion of creativity.

On its website the group declares the white race nature's finest.

It also calls on people to "remember that the inferior coloured races are our deadly enemies".

"And the most dangerous of all is the Jewish race," one of the group's commandments says.

"It is our immediate objective to relentlessly expand the White Race, and keep shrinking our enemies."

Supporters of the White Crusaders are urged to show preferential treatment to whites in business dealings and phase out all dealings with Jews as soon as possible.

"Do not employ niggers or other coloureds. Have social contacts only with members of your own racial family," the group says.

The website also has come to the attention of Federal Justice Minister Chris Ellison who has asked the Australian Federal Police to investigate if any federal laws have been breached.

- AAP

[News Flash]

News Flash



https://creativityalliance.com/forum/index.php?action=gallery;sa=view;id=1256

Sandra Sully from the Channel 10 News - Australia

[Note:]

Note: Gypsies are known as Travellers in the UK.

You wouldn't think it by the description, but it is modern day Britain where White slaves acquired from across Europe as well as local down and out Brits are regularly beaten into submission by their masters. Heads shaved, their possessions stolen, and living in dog kennels, these modern day White slaves are put to work in gruelling manual labouring jobs. Police say it could be the hub of a national slavery organisation operating globally and worth multi-millions of pounds.

'Slaves held in horseboxes and kennels'
http://www.iol.co.za/news/world/slaves-held-in-horseboxes-and-kennels-1.1135508

Slave labour camp busted in Britain
http://news.ca.msn.com/top-stories/slave-labour-camp-busted-in-britain

Men rescued from squalid forced labour camp refuse to help police
http://www.independent.co.uk/news/uk/crime/men-rescued-from-squalid-forced-labour-camp-refuse-to-help-police-2353651.html

Four for court on slavery charges
http://www.irishtimes.com/newspaper/breaking/2011/0913/breaking9.html

Woman bailed after slavery raid
http://www.irishtimes.com/newspaper/breaking/2011/0912/breaking33.html

Starved, beaten, held 15 yrs: UK cops rescue 24 'slaves'
http://www.mumbaimirror.com/article/4/2011091320110913031515351227769ae/Starved-beaten-held-15-yrs-UK-cops-rescue-24-'slaves'.html

Kept prisoner through mix of threats and supply of 'cider and other things'
http://www.irishtimes.com/newspaper/world/2011/0913/1224304027713.html

A Modern Problem: Slavery in Britain
http://www.scoop.co.nz/stories/HL1109/S00097/a-modern-problem-slavery-in-britain.htm

Slaves held for 15 years in kennels and horse boxes
http://www.telegraph.co.uk/news/uknews/crime/8756637/Slaves-held-for-15-years-in-kennels-and-horse-boxes.html

[You can read more about the real MLK at]

According to former US first lady Jacqueline Kennedy, Dr Martin Luther King (also known in White circles as Martin Lucifer Koon) was also a "phoney", a sex pest and a "terrible man".

Mrs Kennedy said she had been told that secret FBI wiretaps of a Washington hotel suite occupied by Dr King the night before his most famous speech revealed that he had spent much of the evening "calling up all these girls and arranging for a party of men and women, I mean, sort of an orgy". The surveillance tapes, made by FBI chief J Edgar Hoover, remain sealed by court order until 2027.

She  further recalled how her brother-in-law, US Attorney General Robert Kennedy, told her the civil rights leader had been intoxicated and joking about seeing the pallbearers almost drop the coffin at JFK's funeral.

She said: "He made fun of Cardinal Cushing and [Robert] said that he was drunk at it. I can't see a picture of Martin Luther King without thinking, that man's terrible."

Allegations of Dr King's promiscuity are not new but such unvarnished language from one libtard figurehead about another may help to explain why the tapes have stayed under wraps for so long.

The New York Times, required reading for America's libtard establishment, devoted only 19 words to the King sections in a 2,000-word front-page article on the tapes yesterday.

Such hesitancy is partly explained by foolish doubts about the authenticity of FBI wire-taps conducted under J. Edgar Hoover, but Mrs Kennedy's views on Dr King are clearly her own.

A seven-part series featuring the interviews called Jacqueline Kennedy: Historic Conversations on Life with John F Kennedy is being aired on US television this week and will also be released on DVD.

You can read more about the real MLK at http://www.amren.com/mtnews/archives/2008/02/the_king_holida_2.php

Sources: http://www.google.com/search?safe=off&sa=X&ei=_V5wTqihJo-ViQe19bC_CQ&ved=0CCQQvwUoAQ&q=jacqueline+kennedy+martin+luther+king+interview

Radical Islamists chant "US Is a Terrorist State" and burn an American Flag... in London.

Iran Press TV reported:

Original YouTube Video Deleted

[Danny Danon: Send African migrants to Australia]

Danny Danon: Send African migrants to Australia
By LAHAV HARKOV 06/30/2011

http://www.jpost.com/DiplomacyAndPolitics/Article.aspx?id=227332

Likud MK and Australian MP discuss "solution" for thousands of 'Muslim infiltrators' in Israel: Send them to live down under.

MK Danny Danon (Likud) asked Australian MP Michael Danby on Wednesday to propose, in parliament in Canberra, sending African migrants from Israel to Australia.

Danon and Danby discussed the issue during the Australian politician's visit to Israel for the World Jewish Congress's International Conference of Jewish Parliamentarians.

"The arrival of thousands of Muslim infiltrators to Israeli territory is a clear threat to the state's Jewish identity," Danon told The Jerusalem Post.

"The refugees' place is not among us, and the initiative to transfer them to Australia is the right and just solution.

"On the one hand, it treats the refugees and migrants in a humane way. On the other hand, it does not threaten Israel's future and our goal to maintain a clear and solid Jewish majority," he explained.

Danon said Danby enthusiastically agreed to present the idea to the Australian Parliament.

Danby was not available for comment, however, as he was in-flight on his way back to Australia.

According to the Knesset's Research and Information Center, there were 35,638 migrants in Israel as of May.

Fewer than 1 percent are recognized by the UN as refugees.

Some 61% of the migrants – 21,748 people – are Eritrean, however, and categorized as members of a "temporary humanitarian protection group" by the UN, because they cannot be returned safely to their home country due to internal strife.

"Since Australia has a policy of accepting refugees and groups under protection, I would appreciate it if you could promote a solution in which Australia would accept those who seeking refuge," Danon wrote in a letter to the MP from Melbourne following their meeting.


Comment:
(Left on article page as CreativityAlliance)

Is that Jews' Final Solution to the Muslim problem? I have a better one: ship all Muslims and Jews back to the Middle East and let them Nuke it Out! We don't want either of you.

@Cailen.

[Dear colleagues in the White Resistance!]

Dear colleagues in the White Resistance!

We are pleased to inform you that the combined far-right nationalists
of Russia have created a new news site - National News Service. In the
future it will be a full-fledged news agency of a new type, with its
Internet Radio and TV, and distribution channels in social networks.
NSN site - runsn.info is in the process of design,and  visitors are
sent to the NSN community in Livejournal. During the period from July
15- day of our creation and onwards our community has become the most
widely read nationalist community of Russian-speaking segment of
LiveJournal, repeatedly getting into the Top-100 LJ-communities Runet.
We invite you to take part in our information project and help the
cause of the White Russian resistance. We ask you to regularly send
information and other important materials that seem to be of
importance about your organizations, promotions, right-wing forces in
your country, the publication of the status of the Muslim threat, and
others to our address -...... We, in turn, will translate and publish
them for Russian readers, informing them about the life of White
Resistance in Europe and the world. It is known that the official
media in Russia organized a blockade of accurate information about
foreign nationalist organizations, their popularity and campaigns
against migrants, etc. Meanwhile, this theme is very interesting for
all Russian nationalists. Let us break through this blockade together.

With hope for for cooperation
NSN editorial staff
NSN.inform@gmail.com

http://www.megaupload.com/?d=H6TQB5QJ
http://www.megaupload.com/?d=RM35GIGB
http://www.megaupload.com/?d=V7ZU2I93
http://www.megaupload.com/?d=X8LF1I4M
http://www.megaupload.com/?d=BVKPRX31
http://www.megaupload.com/?d=0Q1L32ZE
http://www.megaupload.com/?d=IHSN9ZT4
http://www.megaupload.com/?d=SZFB59G

With Spanish Subtitles

[Jewish community 'protected sex suspect']

Jewish community 'protected sex suspect'
By Shannon Deery From: Herald Sun

http://www.heraldsun.com.au/news/national/jewish-group-protected-sex-offender/story-e6frf7l6-1226131167890

A POLICE investigation into child sex offences at a prominent Jewish school was hindered by sections of the Jewish community amid attempts to protect a man charged with dozens of crimes against students, a Victoria Police detective has claimed.

David Cyprys, 43, was charged with 16 counts of indecent assault and 13 counts of gross indecency from his time at Yeshiva College, St Kilda, Melbourne, during the 1980s and 1990s.

"They (Jewish community) have failed to act in any way to protect the children and the matters have been swept under the carpet," Sen Det Metcher said "Lies have been told to police...information has been twisted or covered up," she said. [more ...]

[A northeastern Spain municipality with a 40-percent Muslim population has reportedly banned the Muslim call to prayer also known as Azan.]

http://www.presstv.ir/detail/197617.html

A northeastern Spain municipality with a 40-percent Muslim population has reportedly banned the Muslim call to prayer also known as Azan.

Salt's mayor Jaume Torramade has asserted that the proclamation to prayer was not to be heard in the municipality during his tenure.

He has accused the Muslim immigrants there of having leaned towards 'radicalism' over the recent years, the Hudson Institute policy organization reported.

In a recent interview, Torramade pointed out that "a few years ago, the Maghreb (Moroccan) women were more westernized, but nowadays one sees much less of that."

"The large numbers of Muslim immigrants in Salt have attracted imams who are enforcing conduct and dress codes. Muslim women used to wear blue jeans, but now they cover their hair."

AHK/HN

[MovieThe Winter War (1989)Talvisota]

Movie
The Winter War (1989)
Talvisota (original title)

TALVISOTA (Winter War) deals with the 1939-40 Russo-Finnish War, a largely forgotten conflict that was one of the most savage wars of the 20th century. The Soviet Union invaded Finland in November of 1939 when the Finns refused Stalin's demands to relinquish some of their territory in Karelia. The Finns were outnumbered 50-1 but fought with incredible courage and tenacity and inflicted a half million casualties on the Soviets before they were forced to capitulate in March of 1940. The Russians were equally brave but not as smart; they stormed well defended positions en mass and were mowed down by the hundreds. TALVISOTA brilliantly captures the horror and carnage of that war and all wars. Disturbing and depressing but also a gripping and deeply moving experience. Makes SAVING PRIVATE RYAN look like a walk in the park.

Preview

The Winter War - Talvisota

Download The Winter War
http://rapidshare.com/files/185508946/tata.part01.rar
http://rapidshare.com/files/185538390/tata.part02.rar
http://rapidshare.com/files/185567423/tata.part03.rar
http://rapidshare.com/files/185596592/tata.part04.rar
http://rapidshare.com/files/185715876/tata.part05.rar
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http://rapidshare.com/files/185789067/tata.part09.rar
http://rapidshare.com/files/185802152/tata.part10.rar
Password: strikan



Documentary
Fire and Ice - The Winter War of Finland and Russia

Fire and Ice - The Winter War of Finland and Russia

[Link Checker]

Link Checker
Check the status of download links from various file hosts we support. (Rapidshare, WUpload, MegaUpload, ...)
http://wgtools.com/link-checker


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DVD and CD Covers
http://www.cdcovers.cc

[@Cailen.]

We all know what Net Nazis look and act like; they are the ones that abuse and threaten everyone everywhere for not joining White Internet Jihad. Others go a little further and live life in a type of sub-White culture where they wander the streets proudly wearing their dirty, patch covered jackets, torn jeans, scuffed boots and sometimes even an ill fitting white beret. They claim to take over bars, where they binge on alcohol paid for from the proceeds of crimes and donations acquired through bullying their naive supporters on the internet. Yes, we all know the kind.

Another - a type that is harmless enough IF left alone is the Keyboard Commando. These groups appear on the scene from time to time. Like the Net Nazis, they claim to represent the "White Elite," demand your allegiance and denounce you if you refuse to join. Like the Net Nazis, they are a dime a dozen. Unlike the Net Nazis however, the Keyboard Commandos appear to be rational, well intentioned White Racial Comrades. They may or may not be new to the cause, but because of their knowledge gleaned from reading information freely distributed on our websites, they are able to appear more informed and active than is the case. By appearances alone, we - the older and more established organisations - all want them on our side. However, unlike the usually uncouth, brash Net Nazi, the truth is that more often than not, the Keyboard Commandos are untraceable, faceless nicknames. Whether they are well intentioned individuals, school kids in a social science experiment or Red, Jew or JOG infiltrators, you have no way of knowing ... until it is too late.

The simple answer is to avoid them. If you cannot verify the existence of the leaders of a Keyboard Commando group in the real world, then do not get entangled in their web of anonymity. The best way to avoid both the Keyboard Commandos and the Net Nazis is to do as I do: Act local and think global. Meet and greet and get active with the people in your own region, and liaise with YOUR brothers globally. That is the Creativity Alliance way.

Now, I could be wrong, but - spamming the Pontifex Maximus does not make for a good introduction - WN Thinktank is the latest investment by the Keyboard Commandos. http://wnthinktank.wordpress.com Look it over. Let me know your opinions and as always, feel free to tell me that I am wrong. If they are Keyboard Commandos, then we know to avoid them. If however, they are a legit "White Nationalist" group, then we can wish them all the best and hope for their success as we hope for our own.

@Cailen.

[Cabbies beat child sex assault bans]

Cabbies beat child sex assault bans

EXCLUSIVE by Joe Hildebrand and Lisa Davies From: The Daily Telegraph August 30, 2011

http://www.dailytelegraph.com.au/news/sydney-nsw/cabbies-beat-child-sex-assault-bans/story-e6freuzi-1226124868530

TWO taxi drivers accused of sex offences against children have been allowed to keep working on Sydney's streets after a tribunal overturned a ban by authorities ...

The Administrative Decisions Tribunal has ruled the drivers, who face five counts of sexual assault on a person under 10, are of "good repute".

Joubran Assi: Three counts of sexual assault on a child under 10, one count of detaining for advantage (namely sexual gratification) and one count of causing injury.

Maurice Ware: Two counts of indecent assault with a child under the age of 10. [more ...]

[GYPSY clans travel up and down the east coast of NSW and have preferred caravan parks or camps.]

http://www.dailytelegraph.com.au/news/gypsy-clans-in-nsw-fly-by-night-travelling-up-to-800km/story-e6freuy9-1226123970690

GYPSY clans travel up and down the east coast of NSW and have preferred caravan parks or camps.

"Because of how big their vans are the gypsies are restricted to only certain caravan parks, and we know most of them," said an investigator.

"It's only the best for them and everything is paid for in cash."

Officers know of "gatherings" where all the families meet.

"We know all of them met at a caravan park in Shellharbour," one said. "It's at these meetings we think they work out a strategy and map out what families hit what areas so there is no overlapping."

Families will link up, three or four at a time.

"They use caravan parks as a base in country or coastal towns, pay cash in advance for a few weeks," said an investigator.

They "work" a perimeter for about four weeks then in the middle of the night they will up and leave.

"At two in the morning they will just vanish. They know how long they can stay before the complaints start filtering through to authorities."

When they hit the road, sometimes driving 800km in a night, they vanish.

"They may be illiterate but they are rat cunning and it gets handed down from generation to generation."

Scams, which include sealing or resealing driveways, are always poor quality and they stand over old people and drive victims to banks for money.

If you have been a victim ring the Department Of Fair Trading 133 220



http://www.dailytelegraph.com.au/news/nsw-government-target-modern-gypsies-the-new-organised-criminals-in-massive-blitz/story-e6freuy9-1226123969376

More than 30 families with 1000 members have been identified carrying out multi-million dollar scams.

"English gypsies have incredible wealth and don't mind flaunting it," an investigator said.

"They spend holidays in Palazzo Versace on the Gold Coast and love going to the Calgary Stampede. They fly around the world for weddings and have held lavish ceremonies here."

Reports reveal many are Australian citizens and growing numbers are applying for permanent status.

"We told Canadian border police about three gypsies going from Sydney to the Stampede festival," an officer said. "They were stopped, had $55,000 cash seized and denied entry. They simply went to Mexico and Las Vegas. Money is no object."

Officials say the known gypsies would "earn" at least $30 million a year from their Australian operations.

"That is a very very conservative estimate."

Alex Johan, 69, a self-confessed thief and gypsy, appeared in a Sydney court last week to plead guilty to stealing from a number of old women after scamming his way into their homes with a female accomplice.

Johan uses a number of aliases including the name Sterio, a gypsy clan around Sydney for decades.

"They prey on the vulnerable and are cunning thieves," said Detective-Sergeant Trent Atkins, who arrested Johan.

[The Movie]

http://www.ruby-ridge.com

The Movie
With Laura Dern, Randy Quaid and a very young Kirsten Dunst (then only 14).

https://www.youtube.com/watch?v=IrNGkDlbdF4

https://www.youtube.com/watch?v=-H4eflb64GI

Part 1 & 2
Parts 3 & 4 Below

Optional subtitles in idx/sub files: English, French.

True story of the controversial 1992 attack by federal agents on an Idaho (C.I. - Christinsane - with connections to Aryan Nations) family. The incident caused major public outcry against the FBI and U.S. Marshals.

http://thepiratebay.org/torrent/4691539/The_Siege_at_Ruby_Ridge_(1996)_Laura_Dern_(DVDrip__opt.subs)


The Documentaries

The Legend of Ruby Ridge - Secret Rulers Of The World ep1
Jon Ronson meets with Randy Weaver and daughter Rachel, two of the surviving members of the Weaver family. The movie shows Previously unseen archive footage to describe the life of a family who claim to have moved to a cabin in Ruby Ridge, Idaho to live peace fully, and What They Saw escape as the tyrannical elite of international bankers are on enslaving the world. Ronson Also Explains how the Weaver family's conspiracy theories Became a shocking tragedy When the American Government killed two members of the family, Their dog, and shot and wounded Randy Weaver and Kevin Harris, Whom the Weaver family Considered Their Son. Ronson explores the unsympathetic media response to the killings and how this incident Might have Influenced the siege at Waco, the Oklahoma City bombing and the growth of the American militia movement.

C-Span Ruby Ridge Senate Committee Investigation Day 1 - Part 1 - Search

Google Video Search Find more streaming videos ...

Click here for Images - DVD and Book Covers, Scenes ...

US Department of Justice http://www.justice.gov/opr/readingroom - DOJ Search

FBI http://vault.fbi.gov/Ruby%20Ridge%20Incident/Ruby%20Ridge%20Incident%20Part%201%20of%201/view

Books
http://www.amazon.com/Every-Knee-Shall-Jess-Walter/dp/0061011312/ref=pd_sim_b_4

http://www.amazon.com/Ruby-Ridge-Tragedy-Weaver-Family/dp/006000794X/ref=sr_1_1?ie=UTF8&s=books&qid=1314482964&sr=1-1

Kosovo: Can You Imagine? is a documentary film by Canadian filmmaker Boris Malagurski, about the Serbs that live in Kosovo and the lack of human rights that they have today, in the 21st century. Most of the Kosovo Serbs have been ethnically cleansed by the Albanians who make up the majority of Kosovo. Kosovo has been under UN administration since 1999 when NATO bombed Serbia for 78 days to halt a crackdown on ethnic Albanian separatism in its province of Kosovo. We follow the stories of several Serbs who have fell victim to a nationalist and irredentist ideology that has a goal of creating a pure Albanian state of "Kosova" ("Kosovo" in Albanian). Serbs in Kosovo have no basic human rights. You will be shocked to learn which atrocities they have to face each day.


Download:
Code:
http://rapidshare.com/files/287115583/Kosovo_-_Can_you_Imagine.part01.rar
http://rapidshare.com/files/287122070/Kosovo_-_Can_you_Imagine.part02.rar
http://rapidshare.com/files/287128066/Kosovo_-_Can_you_Imagine.part03.rar
http://rapidshare.com/files/287133515/Kosovo_-_Can_you_Imagine.part04.rar
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http://rapidshare.com/files/287162829/Kosovo_-_Can_you_Imagine.part09.rar
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http://rapidshare.com/files/287173616/Kosovo_-_Can_you_Imagine.part11.rar
http://rapidshare.com/files/287178921/Kosovo_-_Can_you_Imagine.part12.rar
http://rapidshare.com/files/287108995/Kosovo_-_Can_you_Imagine.part13.rar

[卐]

http://www.unicode.org/charts/

Right Facing Swastika: 卐
Left Facing Swastika: 卍

Runes: Elder FUÞARK Alphabet

         
   ᚠ   f      *fehu - "wealth, cattle"
   ᚢ   u      ?*ūruz   - "aurochs" (or *ûram "water/slag"?)
   ᚦ   þ      ?*þurisaz   - "the god Thor, giant"
   ᚨ   a      *ansuz   - "one of the Æsir (gods)"
   ᚱ   r      *raidō   - "ride, journey"
   ᚲ   k      ?*kaunan   - "ulcer"? (or *kenaz "torch"?)
   ᚷ   g      *gebō   - "gift"
   ᚹ   w      *wunjō   - "joy"
   ᚺ ᚻ   h      *hagalaz   - "hail" (the precipitation)
   ᚾ   n      *naudiz   - "need"
   ᛁ   i      *īsaz   - "ice"
   ᛃ   j      *jēra-   - "year, good year, harvest"
   ᛇ   ï (or æ)      *ī(h)waz/*ei(h)waz   - "yew-tree"
   ᛈ   p      ?*perþ-   - meaning unclear, perhaps "pear-tree".
   ᛉ   z      ?*algiz   - unclear, possibly "elk".
   ᛊ   s      *sōwilō   - "Sun"
   ᛏ   t      *tīwaz/*teiwaz   - "the god Tiwaz"
   ᛒ   b      *berkanan   - "birch"
   ᛖ   e      *ehwaz   - "horse"
   ᛗ   m      *mannaz   - "Man"
   ᛚ   l      *laguz   - "water, lake" (or possibly *laukaz "leek")
     ᛜ ᛝ   ŋ      *ingwaz   - "the god Ingwaz"
   ᛟ   o      *ōþila-/*ōþala-   - "heritage, estate, possession"
   ᛞ   d      *dagaz   - "day"

http://en.wikipedia.org/wiki/Runic_alphabet#Letters


Ogham (Celtic) Script: Beith-Luis-Nin

ᚁ B Beith - Birch   ᚂ  L Luis - Herb   ᚃ F Fearn - Alder   ᚄ S Sail - Willow   ᚅ N Nion - Ash   ᚆ  U Uath - Horror/Fear   ᚇ  D Dair - Oak   ᚈ  T Tinne - Holly   ᚉ C Coll - Hazel   ᚊ Q Ceirt - Bush   ᚋ  M Muin - Vine   ᚌ G Gort - Ivy   ᚍ NG nGaedal - Fern   ᚎ Z Straif - Thorn   ᚏ R Ruis - Red/Thorn  ᚕ E Éabhadh - Aspen   ᚖ Ór - Gold   ᚗ Uilleand - Elbow / edleand - Honeysuckle   ᚘ Ifín - Gooseberry or Thorn   ᚙ    Eamhancholl - Twin of Hazel   ᚚ Peith

B beith b (*betwias) L luis l F fearn w (*wernā) S saille s (*salis) N nuin n

H úath j? D duir d (*daris) T tinne t C coll k (*coslas) Q ceirt kʷ (*kʷertā)

M muin m G gort g (*gortas) NG gétal ɡʷ (*gʷēddlan) Z straif sw or ts? R ruis r

A ailm a O onn o (*osen) U úr u E edad e I idad i

http://en.wikipedia.org/wiki/Ogham

['Swastika' worker was unfairly dismissed]

'Swastika' worker was unfairly dismissed
By Ben Schneiders | August 25, 2011

http://www.theage.com.au/victoria/swastika-worker-was-unfairly-dismissed-20110825-1jc91.html

A WAREHOUSE worker who etched a swastika (卐) and "WELCOME TO HELL" into the ice on a freezer room door will receive a $4800 pay-out after Fair Work Australia upheld a decision that he was unfairly dismissed.

Stephen O'Loughlin had been sacked after the etchings were seen by other employees. Mr O'Loughlin defended them as a jovial way to criticise the very harsh working conditions in the warehouse.

"Our fingers froze up. Our toes used to froze up. I thought it was quite a dangerous environment to work in. It was just an indication to me and another workmate that this was working in hell."

But senior staff members who were Jewish, dismissed him for serious misconduct for "discrimination on the grounds of racial vilification". Last September the tribunal ruled the sacking was "harsh and unreasonable" and that while the worker, either through ignorance or stupidity, had "failed to appreciate" the offence the swastika (卐) creates it ruled he had not engaged in racial vilification.

The tribunal, however, did not give Mr O'Loughlin his job back saying his "abrasive and insensitive" conduct had "created impediment to the re-establishment of any employment relationship".

During the initial Fair Work case Mr O'Loughlin's views were summarised by the tribunal as "get over it, the war finished 70 years ago." [more ...]

From http://rt.com/usa/news/fbi-terror-report-plot-365

The Federal Bureau of Investigation employs upwards of 15,000 undercover agents today, ten times what they had on the roster back in 1975.

If you think that's a few spies too many — spies earning as much as $100,000 per assignment — one doesn't have to go too deep into their track record to see their accomplishments. Those agents are responsible for an overwhelming amount of terrorist stings that have stopped major domestic catastrophes in the vein of 9/11 from happening on American soil.

Another thing those agents are responsible for, however, is plotting those very schemes.

The FBI has in recent years used trained informants not just to snitch on suspected terrorists, but to set them up from the get-go. A recent report put together by Mother Jones and the Investigative Reporting Program at the University of California-Berkley analyses some striking statistics about the role of FBI informants in terrorism cases that the Bureau has targeted in the decade since the September 11 attacks.

The report reveals that the FBI regularly infiltrates communities where they suspect terrorist-minded individuals to be engaging with others. Regardless of their intentions, agents are sent in to converse within the community, find suspects that could potentially carry out "lone wolf" attacks and then, more or less, encourage them to do so. By providing weaponry, funds and a plan, FBI-directed agents will encourage otherwise-unwilling participants to plot out terrorist attacks, only to bust them before any events fully materialize.

Additionally, one former high-level FBI officials speaking to Mother Jones says that, for every informant officially employed by the bureau, up to three unofficial agents are working undercover.

The FBI has used those informants to set-up and thus shut-down several of the more high profile would-be attacks in recent years. The report reveals that the Washington DC Metro bombing plot, the New York City subway plot, the attempt to blow up Chicago's Sears Tower and dozens more were all orchestrated by FBI agents. In fact, reads the report, only three of the more well-known terror plots of the last decade weren't orchestrated by FBI-involved agents.

The report reveals that in many of the stings, important meetings between informants and the unknowing participants are left purposely unrecorded, as to avoid any entrapment charges that could cause the case to be dismissed. Perhaps the most high-profile of the FBI-proposed plots was the case of the Newburgh 4. Around an hour outside of New York City, an informant infiltrated a Muslim community and engaged four local men to carry out a series of attacks. Those men may have never actually carried out an attack, but once the informant offered them a plot and a pair of missiles, they agreed. Defense attorneys cried "entrapment," but the men still were sentenced to 25 years apiece.

"The problem with the cases we're talking about is that defendants would not have done anything if not kicked in the ass by government agents," Martin Stolar tells Mother Jones. Stolar represented the suspect involved in a New York City bombing plot that was set-up by FBI agents. "They're creating crimes to solve crimes so they can claim a victory in the war on terror." For their part, the FBI says this method is a plan for "preemption," "prevention" and "disruption."

The report also reveals that, of the 500-plus prosecutions of terrorism-related cases they analyzed, nearly half of them involved the use of informants, many of whom worked for the FBI in exchange for money or to work off criminal charges. Of the 158 prosecutions carried out, 49 defendants participated in plots that agent provocateurs arranged on behalf of the FBI.

Experts note that the chance of winning a terrorism-related trial, entrapment or not, is near impossible. "The plots people are accused of being part of — attacking subway systems or trying to bomb a building — are so frightening that they can overwhelm a jury," David Cole, a Georgetown University law professor, tells Mother Jones. Since 9/11, almost two-thirds of the cases linked to terrorism have ended with guilty pleas. "They don't say, 'I've been entrapped,' or, 'I was immature,'" a retired FBI official remarks.

All of this and those guilty pleas often stem for just being in the right place at the wrong time. Farhana Khera of the group Muslim Advocate notes that agents go into mosques on "fishing expeditions" just to see where they can get interest in the community. "The FBI is now telling agents they can go into houses of worship without probable cause," says Khera. "That raises serious constitutional issues."

From the set-up to the big finish, the whole sting operation is ripe with constitutional issues such as that. A decade since 9/11, however, the FBI is reaching through whatever means it can pull together to keep terrorists — or whom they think could someday become one — from ever hurting America.

[Pop Goes Elie WieselHow to get a Nobel prize.by Jacob WeisbergNovember 10, 1986]

Pop Goes Elie Wiesel

How to get a Nobel prize.

by Jacob Weisberg

November 10, 1986

"I was of course very stunned and grateful, and melancholy," Elie Wiesel told the The New York Times about his initial reaction to winning the 1986 Nobel Peace Prize. "I fell back into the mood of Yom Kippur, serious reflection about my parents and grandparents. It took me half an hour to get out of it." But when Wiesel finally came to, he told a press conference in New York, "There are no coincidences. If it [winning the prize] happens after Yom Kippur here, then some of my friends and myself have prayed well."

Actually, they did a little more than pray. Over the past several years, a few of Wiesel's friends have circled the globe in an intensive effort to win him the prize. Sigmund Strochlitz, who owns a Ford dealership in New London, Connecticut, has directed the offensive. A survivor of Auschwitz, Strochlitz has visited the halls of Congress, the West German Bundestag, the French Assembly, and the Norwegian Parliament on Weisel's behalf.

It might sound difficult to lobby for the Nobel Peace Prize. In reality, it's not so tough. According to the rules of the Norwegian Nobel Committee, several categories of persons are eligible to make nominations. Parliamentary representatives, judges, academic, and former Nobel laureates are among those entitled to send letters of nomination to the committee in Oslo. They're due by February 1. Strochlitz's strategy has been to solicit these letters by the bushel. He's succeeded in getting hundreds of them, including nominations from Francois Mitterand and former Peace prize winners Henry Kissinger, Lech Walesa, and Mother Theresa.

Wiesel's supporters have concentrated much of their energy on the U.S. Senate. One Senate aide described their campaign as "relentless and heavy-handed." "Strochlitz would show up every winter and say "it's time to write letters again," one staffer said. "He'd say, 'you did it last year. It's time to do it again.' He'd get the senators to send 'Dear Colleague' letters to each other in an every-widening circle." Strochlitz, a close friend of Wiesel's, denies doing any campaigning.

Here's how it worked. Strochlitz asked Senator Daniel Patrick Moynihan, for example, to nominate Wiesel, and to request similar letters from ten of his colleagues. Strochlitz provided Moynihan with the names. Of course, many of the legislators Moynihan asked had no idea they could nominate anyone for a Nobel Prize. And a few hardly knew who Elie Wiesel was. The letters they sent are perhaps less flowery than some the Nobel Committee has received in the past:

U.S. Senate

January 28, 1984

Members of the Committee:

It is my honor to propose Mr. Elie Wiesel for the 1984 Nobel Prize for Peace. As you well know, Mr Wiesel has dedicated most of his life toward the goal of peace throughout the world. In my opinion, you could not go wrong by awarding the Nobel Peace Prize to this most deserving gentleman.

With Respect

Barry Goldwater

By Strochlitz's count, more than 50 senators and 140 representatives have written to Oslo on Wiesel's behalf. More than 70 members of the West German Bundestag have also nominated Wiesel. After getting a few dozen senators under his belt, Strochlitz began grouping them in interesting ways. One year he got the entire Massachusetts congressional delegation to nominate Wiesel. Another year he solicited letters from all the members of the Senate Banking Committee.



Boston University's John Silber helps out

Strochlitz was helped by John Silber, the president of Boston University, where Wiesel teaches. Silber called Strochlitz "the real strategist and campaigner." "Strochlitz did everything in his power," Silber said. "he would say to me: 'John, you know these people in Congress.' I'd write to them and send copies of their responses to Strochlitz, so he could keep track of everything we were doing." Silber said that he is especially delighted at Wiesel finally winning the prize, since it is the second such award bestowed upon someone associated with his school. Martin Luther King, who won the Peace Prize in 1964, was a student at Boston University during the 1950′s.

In Silber's letters to the Nobel Committee, he argued that Wiesel was not just a spokesman for survivors of the Holocaust, but a voice for victims everywhere. Each year that he re-nominated Wiesel, he wrote the committee about some new effort of Wiesel's on behalf of the oppressed–whether his work for Cambodian boat people, or Soviet Jews, or Arab refugees, or those disappeared in Argentina. A typical letter from Silber to the committee points out that "Wiesel traveled at considerable risk to his personal health and safety into the jungles of Honduras, where he met with the Miskito Indians." Attached was an op-ed piece Wiesel published in the Los Angeles times, detailing the Miskito's plight. As Silber put it one year, "I am sure that my letter will not be the first, nor indeed the only such letter to reach you..."

Another of Silber's tactics has been to suggest appropriate anniversaries for the Nobel Committee to make use of in honoring his friend. In 1984 he wrote of the connections between Wiesel and Orwell. The following year Silber's letter reminded the committee that it was the 40th anniversary of the liberation of the death camps. Wiesel's friends searched endlessly for a new "peg" on which to hang the same old story.

Silber said Wiesel never inquired about the effort to get him the prize, though he was aware of it. "He never asked anybody, never asked me, never asked Strochlitz," Silber said. "We said, 'stand still, Elie. Step aside, do your work. Don't worry about our work, which is to make them [the Nobel Committee] aware of yours.'" Silber added, "Nobody wins unless the Nobel Committee knows about them." Silber and Strochlitz both vociferously decline any share of the credit for Wiesel's prize in 1986. "That would be like the trainer claiming he's the race horse," Silber said. "We may have fed the oats, and curried the flanks. But that horse could run."

Wiesel gained by being a "non-controversial" selection

According to all published reports, Wiesel has been on the Nobel Committee's short list for the past few years. And this year members of the jury thought it necessary to make a non-controversial selection. Last year's prize, which was shared by Soviet doctor Yevgeny I. Chazov, of the Boston-based Physicians for the Prevention of Nuclear war, humiliated the committee when it was revealed that Chazov had denounced laureate Andrei Sakharov several years earlier. In 1986 it was the West's turn to be mollified.

Looking down the list of past winners, one wonders what the prize is actually for. Some years it appears to reward good deeds on a large scale. Other times, it seems to honor political leadership. On a few occasions, such as 1973, when it was awarded jointly to Henry Kissinger and Le Duc Tho, it has seemed closer to a war prize than a peace prize. These days, it's a rather amorphous accolade–sort of a moral hall of fame for the indisputably decent.

Whatever the Nobel Peace Prize signified, it's clear that people lobby for it. Nobody seems quite sure what Japanese prime minister Eisaku Sato won his Nobel for in 1974, but it's well known that he hired a public relations firm to help his campaign along. Jimmy Carter, Armand Hammer, and Indira Gandhi have been among the more recent campaigners who appear to have failed in drives for the prize. (Hammer reportedly once sent Ann Landers a jade necklace with a note asking if she could help him get nominated for the prize.) Mohandas Gandhi never campaigned for, and never got, the most coveted prize on planet earth.

Because the prize has such prestige, it's a bit disquieting to discover that the winners actually wanted it. Nobody wants to think that the Mother Theresa's of the world bid for earthly reward. In fact, Mother Theresa never did campaign for the Nobel Peace Prize. But she seems to be the exception, Elie Wiesel the rule. ~



Stolen from: http://www.eliewieseltattoo.com/how-elie-wiesel-got-the-nobel-peace-prize

[For anyone curious, this article answers the question as to why the Jew so hates Walt Disney, calling him a Nazi and an anti-Semite even after he made all of those anti-German propaganda cartoons in the forties.Cailen.]

For anyone curious, this article answers the question as to why the Jew so hates Walt Disney, calling him a Nazi and an anti-Semite even after he made all of those anti-German propaganda cartoons in the forties.

Cailen.


Thomas Edison, the Jews and Disney

Unknown to most Americans is the fact that the first motion picture camera was invented by Thomas Alva Edison in East Orange, New Jersey. A lifelong inventor, Mr. Edison had over 1,000 inventions patented when he died in 1931.

Inventing a motion picture camera that worked properly was the easy part for Edison. Keeping the Jews from using the camera without paying him royalties for his invention was the hard part.

As soon as the German born Jew, Carl Laemmle found out about motion pictures, he started figuring ways to exploit the new invention. Efforts by Laemmle and other Jews to deprive Edison of his fees for using his cameras forced Edison and other movie makers like Dickson, Casler, Koopman, Long, Smith, Klein and Marion to form a protective association called the TRUST.

As fast as the Jews could get their hands on Edison's equipment and started using it, the Trust would file lawsuits against them to stop their illegally using his patented equipment.

Not to be outdone, Laemmle and other New York Jews, scurried around Europe in their efforts to circumvent the long arm of the Trust. Cameras based on Edison's invention were smuggled into the United States by the Jews as well as raw film. Edison and the Trust had made arrangements with the Eastman Kodak Company to exclusively produce film for it and those who had been sanctioned to use the equipment by the Trust. Laemmle and his Jewish co-racialists found film manufacturers in Europe to supply them with Kodak-like film which was also smuggled into the United States.

When the courts moved at a snale's pace or refused to stop the Jews from using Edison's invention, the Trust would send out it's own enforcement "police" which would seize and smash the illegal equipment. As one author noted, this forced the Jews to set up an elaborate warning system. Jewish lookouts would keep watch while the Jews were filming and when they observed the Trust "police" on their way, the Jews would quickly pack up their cameras and flee as fast as possible to another "filming" location.

However, Laemmle knew that while the Trust controlled most of the movie cameras, they could not get their films into circulation without "movie houses." Edison and other non-Jewish movie makers distributed their movies through numerous non-Jewish independent "movie house" owners across America. However, those owning the movie houses were completely independent and had no central distribution center or move house chains.

Before Edison perfected his camera other individuals had developed a system of rapidly moving cards which depicted short scenes. The "pictograph" system as it was called, was quickly seized upon by the Jews as a means of making a fast buck by developing a series of cards depicting "movies" of naked women or sex acts by couples. To exploit the "pictograph" market the Jews used their homes and buildings in New York to set up "Nickelodeons," which turned useless real estate into a means of making a fast buck---on this early form of pornography.

The Jewish "Nickelodeon" system spread from New York and Carl Laemmle used the "Nickelodeons" as a framework for organizing his own distribution system among his more than willing co-racialists nationwide.

The fight the Trust the Jews formed the Distributing and Sales Company. To get the "goyim's" support, Laemmle allowed some non Jews to become involved and bring their movie houses and money into the venture. The non-Jews Robert Cochrane and Pat Powers merged their holdings with Laemmle. However, most of the funding for the DSC came from Jewish investors Laemmle had managed to get control over distribution facilities and over 300 theaters nationwide.

In his drive for power over the Trust and his competitors, Laemmle formed Universal Movie Distributors with Cochrane and Powers. After destroying his competitors at Mutual Film Distributors, Laemmle then proceeded to use his investors to push Cochrane and Powers out of Universal, and before long he was in total control and was nicknamed the "King of the Film Renters" At this point the control of the movie industry went from the non-Jewish hands of the Trust into the hands of Laemmle, Fox and other Jews. The Jews had won the fight for the to control the thinking of the American public.

The movie producers aligned with the Trust felt they were producing quality movies and wouldn't distribute any "less than perfect" films. Laemmle didn't have that problem, and to keep the films flowing into his theaters and going through his distributors, he used every piece of junk film he could get his hands on. His motto was "the more the better." The Trust simply couldn't keep up, because they could not understand the Jewish mentality.

The Trust still kept fighting back so the Jews decided to pull up roots in the East and head West to Hollywood, California where there would be over 3,000 miles distance between the Trust, the courts and the Trust's "police." From that time on Hollywood became the motion picture capital of America, where the Jews could reign supreme.

Edison and the members of the Trust felt that by producing wholesome movies they were helping to preserve the nation's morals. However, the Jews were not governed by these standards. In the book Walt Disney Hollywood's Evil Prince, Marc Eliot says: "Unlike their early East Coast counterparts, the heads of Hollywood's studios were less interested in artistic experimentation than profit. They put on the screen what sold the most. The public was willing to pay to see films with sex and violence, and Hollywood was more than happy to make them.

"By the early twenties, all that remained of Edison's Trust was the issue it had raised regarding the moral content of motion pictures. The federal government kept a close watch on Hollywood, the new capital of the film industry, to make sure the movies it produced remained "socially acceptable."

However, Hollywood's moguls had no idea of what was meant by "socially acceptable." They didn't know if their movies were moral or immoral and couldn't have cared less... The more a film made, the better it was...Whenever the industry came under attack for being morally corrupt, none of Hollywood's owners believed the problem had anything really to do with morality."

The members of the Trust couldn't understand that the Jews wanted control of the movies so they could promote their own social and religious agenda. In An Empire of Their Own: How the Jews Invented Hollywood, the Jewish author, Neal Gabler says: "...But one major reason Edison and his cohorts lost their hegemony was that they misinterpreted what was at stake. They never seemed to understand that they were engaged in much more than an economic battle to determine who would control the profits of the nascent film industry; their battle was also generational, cultural, philosophical, even, in some ways, religious. The Trust's members were primarily older white Anglo-Saxon Protestants who had entered the film industry in its infancy by inventing, bankrolling, or tinkering with movie hardware: cameras and projectors. For them, the movies themselves would always be novelties. The Independents, on the other hand were largely ethnics, Jews and Catholics, who had entered the industry by opening and operating its theaters."

Trying to stop the Jews from controlling the distribution of movies had cost the Trust $300,000 in legal fees. The Jews had been hit with 289 lawsuits. Undaunted by the action taken by Edison and the Trust, the Jews kept using his equipment. In a last ditch effort to stop the Jews, Edison and his friends organized the General Film Company as a film exchange. However, by now it was too late: the Jews had gobbled up half the market and had formed a monopoly that would thumb its noses at the "goyim" from the Trust.

After the Jews achieved complete control over the distribution of movies, they kept lowering the standards regarding morality and sex to the point where some members of Congress felt that film censorship was necessary and they introduced legislation to create a board of film censorship.

To get around this censorship board the Jews rapidly moved to form a "self regulating" organization called the Motion Picture Producers and Distributors of America. (MPPDA) A non-Jew was picked to head the MPPDA, and this was former Postmaster General Will Hays who had been national chairman of the Republican party. In his book Marc Eliot says: "The Jewish power faction in Hollywood hoped choosing a Christian to regulate the moral content of their films would improve the overall image of its industry."

Some members of Congress considered Hollywood not only to be immoral but also subversive. In 1929, U. S. Senator Smith Brookhart summed up the deteriorating situation in Hollywood as a battle between competing studios led by "bunches of Jews."

By the late 1920s the Jews controlled most of the move theaters in America and the means of distributing movies.

With Jews controlling the movie industry from A to Z it was almost impossible for a non-Jew to get a break. One of those who fought the system was Walt Disney.

Disney was born in the Midwest and learned cartoon animating on his own. His attempts to get his short subjects and cartoons marketed ran into constant roadblocks from the "chosen" elite who ran Hollywood. Disney was able to sell a number of animated cartoons he produced for small stipends. At that time one of the most popular cartoons was "Felix the Cat." Trying to produce a cartoon that would equal "Felix the Cat," Disney came up with a character called "Oswald the Rabbit." In an effort to get his work recognized, he contacted a New York distributor by the name of Margaret Winkler. Disney also produced a series of cartoons based on Alice in Wonderland, which Ms. Winkler contracted with him to produce.

At this time a Hollywood Jew who had worked for Warner Brothers, Charles Mintz, was courting Ms. Winkler and upon seeing the "Oswald the Rabbit" samples, could sense that "Oswald the Rabbit" was every bit as good as "Felix the Cat" and could make him rich.

In order to get on Walt's good side and get to "Oswald the Rabbit," Mintz agreed to advance Walt $1,800 and to pay him for another eighteen cartoons in the "Alice" series.

Jubilant, the Disney brothers took the deal and promptly set about purchasing a studio on Hyperion Avenue in Hollywood. Mintz had set the stage. After the Disney brothers had completed the construction of their modest studio, Mintz dropped the bomb on them. He told them that due to "lack of interest" the "Alice" series would have to be dropped and his contact with them would have to be cancelled.

All this time Mintz had been traveling between Hollywood and New York making secret deals with his fellow co-racialist, Carl Laemmle. Laemmle wanted a cartoon character based on the "Felix the Cat" to compete with "Felix the Cat." Mintz knew Disney had already created such a character, a rabbit named "Oswald."

Disney, not paying much attention to the contacts that Mintz had negotiated with him, had in fact, signed away all rights to "Oswald the Rabbit" and to all goods sold through the promotion of the cartoon.

Keeping his side of the bargain, Disney produced Trolley Troubles featuring Oswald and faithfully gave Mintz new cartoons in the series every two weeks at $2,500 a cartoon and "part of the box office" gross.

Walt learned by accident that without his knowledge, known consent or participation, Mintz had made a secret deal with Laemmle to market merchandise based on "Oswald." When Walt complained, his brother Roy calmed him down by telling him that the sales of the merchandise would help promote the "Oswald" series and make him money when customers came to see the movies.

Then in 1928 he and his wife went to New York to negotiate a new contact with Mintz. When they met Mintz, in a typical arrogant Jewish fashion, told Disney that his advance per cartoon had been cut to $1,800. He went onto tell Disney that if "he didn't like it" the cartoon production would be taken over by a Mintz front called "Snappy Inc." and Walt's own employees would be hired to produce the cartoons, in spite of him.

Walt called his brother Roy and told him what had happened and Roy told him that Mintz, according to the contract that Walt had signed, owned all the rights to "Oswald" including the name! Roy then informed Walt that the animators Walt had hired in Hollywood to help produce "Oswald" had suddenly quit. The Hollywood Jews went straight to work for Mintz and the non-Jews that Disney had brought with him from the Midwest stayed loyal.

In desperation Disney appealed to Laemmle about his rights and the Jew told Disney that he couldn't help and that he would only deal with the series distributor, which was his fellow Jew Mintz. Cut out by the Jews, Disney returned to Hollywood and created what was later to be known as "Mickey Mouse." After Mickey Mouse proved to be successful Carl Laemmle came to Disney in an effort to distribute the film. He offered to distribute Mickey Mouse if Disney would give him the copyright to it. It was now Disney's turn, he turned him down flat.

Laemmle and his fellow Jewish distributors of films were known as the "Majors," and after he gave the cold shoulder to Laemmle, none of them would distribute his Mickey Mouse series. Being a non-Jew, Disney could not penetrate what Eliot describes as the "old world brotherhood."

Disney then turned to another man who had, had a falling out with Laemmle and the "brotherhood," Pat Powers. Powers made a deal to distribute the series on a "states rights" basis, to as many independent theaters as possible. Irregularities in the amount of earnings and the amount the Disney's received brought about an end to the Disney/Powers alliance. However, as much as Disney searched he could not find a non-Jewish distributor for his productions. Finally, he made a deal with Harry Cohen the head of Columbia Pictures. Sensing the profits to be made from Disney productions, Cohen fought off the other "chosen" wolves in behalf of Disney.

The next problem faced by Disney as the popularity of his productions increased was organized crime and its efforts to form and control all movie based unions. The mob infiltrated the International Alliance of Theatrical Stage Employees (IATSE) in their effort to control Hollywood. Behind the effort to control the Hollywood unions were the Jews Bugsy Siegel and Meyer Lansky. The third man in the troika of mobsters was Charles "Lucky" Luciano, the "Sicilian" gangster who was responsible for massacring his fellow Sicilians in the 1920s when they had to be eliminated in order for him to make an alliance with the Jews.

Even when Disney had found distributors he was always in need of money to cover production costs and expansion. Disney severed his dealings with Columbia Pictures and United Artists took over distribution of Disney productions.

One of Disney's most successful cartoons was the Three Little Pigs. In the original Three Little Pigs, there was a scene where the Big Bad Wolf disguised himself as a Jewish peddler to trick one of the pigs into opening the door. As soon as word leaked out about this scene, representatives of a number of Jewish organizations beat a path to Disney to get the "offensive" scene removed. Disney removed the scene and told the Jews that the scene was a spoof depicting Carl Laemmle's continuous efforts to "blow down the house of Disney."

Julius Schenck of United Artists, which was distributing Disney productions, had carefully set a trap for Disney. Schenck recommended that Disney seek funding from the Bank of America, and personally contact UA's financial advisor at the bank, Joseph Rosenberg. The Jew gladly opened a line of credit for Disney, but never gave him enough so he could be effective and later helped bring down the Disney empire.

Disney constantly found himself the victim of walkouts by Jews he had hired or by Marxist agitators who were constantly forming unions in Hollywood. Through the unions the Jews constantly used unions to curb the growth of Disney productions. An effort to break the control of the Majors over Hollywood was made when several independent film makers formed The Society of Independent Motion Picture Producers (SIMPP). SIMPP was formed to challenge the majors domination of production, exhibition and distribution. The leading non-Jews in SIMPP were William Cagney, Walt Disney, Mary Pickford, Edward Small, Orson Wells and Walter Wagner. A few Jewish studio moguls who had found themselves cut out of the action by the insiders of the "old world elite" supported SIMPP and these were: David O. Selznick, Sol Lesser and Sam Goldwyn.

The dictatorial control of the Jewish "Majors" is described in Walt Disney Hollywood's Dark Prince: "For the most part, the Majors were still controlled by the same group of men who had first broken the iron grip of the old Edison Trust. Ironically, a quarter of a century later, their success had led them to create an even more anticompetive environment than the one from which they had desperately fled. So much so that no independent film could gain national distribution unless the filmaker or studio dealt with one of the Majors, who not only controlled all the distribution networks but owned virtually every first run theater in the country...."

Disney raised the ire of the Majors when he publicly attended America First meetings and had even stood beside Charles Lindbergh at one rally. To retaliate the red dominated unions kept strife going at the Disney studios.

In the early 1930s it was a well known fact that the sympathies of the majority of Jews in Hollywood was in favor of Socialism and Communism. In An Empire of Their Own, Neal Gabler talks about communist influence in Hollywood. He says: "Jews had first forged ties to the parties of the Left, and to the Communist party specifically, back in Europe...one leading Communist estimated taht 50 percent of the Party's members were Jews during its heydey in the thirites and forties, and a large minority---sometimes a majority---of the Party leadership was Jewish...What was true of the national Party was even truer in Hollywood, where Jews already formed a large part of the left leaning artistic community...One member complained that nearly 90 percent of the Party on Los Angeles was Jewish...Ring Lardner, Jr., himself a Party member had the 'impression taht it was well over 50 percent, somewhat like, maybe, two thirds."

As it became apparant that the Communist movement in the United States was being led mainly by Jews, congressman Samuel Dickstein of New York, who was an Eastern European born Jew, took steps to protect his co-racialists. He moved to have a special committe set up in Congress to investigate those who were pouring forth documents proving that the Jews were running the Soviet Union and had killed almost thirty million Russians and Ukrainians and were the leaders of the Communist movement in Europe.

By calling all those who dared to criticize the Jews as being "Nazi" Dickstein felt that he could bully loyal Americans into silence. In January of 1934 Congress voted to esablish a House Committe on Un-American Activities (HUAC) to investigate German activities in the United States. The bias of Dickstein was so apparant that by 1937 his anti-German and anti-Gentile rantings and ravings in congress were drawing attention to other Jews. When he tried to get the HUAC mandagte renewed, it measure failed.

The Jews then backed Congressman Martin Dies, a non-Jew, in setting up a committe with the same name under his chairmanship. Dies voiced the concern of the Jews in An Empire of Their Own, when he said: Many of our Jewish citizens wanted Dickstein eliminated because they felt he was furnishing ammunition to the Nazis and other anti-Semitic movements."

By 1939 Die's investigation of subversion in America had opened his eyes to the fact that facts uncovered by the Commitee substantiated the claim that Hollywood was, indeed, pro-Communist as many so-called "anti-Semites" had claimed. Gabler quotes Dies as telling key figures in Hollwyood: I told the producers that we had reliable information that a number of film actors and screen writers and a few producers either were members of the Communist Party, followed the Communist line, or were used as dupes, and that there was evidence that the Hollywood Anti-Nazi League was under the control of the Communists."

Dies retired from Congress in 1944 and a fiery Congressman named John Rankin of Mississippi used his influence to get the HUAC made a permanent committe of Congress.

Rankin's investigations further opened his eyes to the fact that Hollywood Jews were beind the anti-moral assault on America. Rankin told the press that: "...the information we get is that (Hollywood) is the greatest hotbed of subversive activities in the United States. We're on the trail of the traantual now, and we're going to follow through...We are not trying to hound legitimate writers, but we are out to expose those elements that are insidiously trying to spread subversiev propaganda, poison the minds of your children, distort the history of our country, and discredit Christianity...alien minded communistic enemies of Christianity, and their stooges are trying to take control over the radio. Listen to their lying broadcasts in broken English and you can almost smell them...They are now trying take over the motion picture industry, and how to hight heaven when our Committee on un-American Activites propose to investigate them. They want to spread their un-American propganda, as well as their loathsome, lying, immorl, anti-Christian filth before the eyes of your children in every community in America."

The Jews founded the HUAC in an effort stiffle legitimate criticism of thier activities in America, and by 1945 it had gone full circle and was being used as a legitimate vehicle for patriots to go after those who were influenced by Communism and tyring to change the thinking of America.

This gave Walt Disney and other non-Jews who had been discriminated against by the "Majors" a chance to try to bring an end to the Jewish domination of Hollywod, and the HUAC hearings went on well into the mid 1960s.

Disney and his Motion Picture Alliance for the Presrvation of American Ideals tried to break the Jewish Communist stranglehold on Hollywood. As the MIAPIA and the HUAC fought the red/Jewish influence in Hollywod, the reds kept striking back by fomenting one strike afte rthe other against Disney and others who opposed them.

Walt openly vowed to keep the commies out of his studio and told the press that the strikes at his studio were fomented by the Communist Conspiracy. Again Eliot says: "Ever since Sinclair's gubernatorial campaign helped unify Hollywood's left, the Communist Party of the United States of America (CPUSA) had made its presence felt by championing the rights of the film industry's workers. The CPUSA played a vital role in the Screen Writers Guild's long battle to exist, thus helping to make legitimate the industry's burgeoning union movement."

In 1941 the CPUSA backed strikers at Disney Studios who were fomenting trouble through the Screen Writer's Guild. Most of the Disney staff walked out "on strike."

Pressure was brought on Disney to settle the strike by Bank of America representative, Rosenberg, who told him that the effects of the strike would "damage his relationship with the Bank of America." The Jewish tentacles through the Bank of America were brought to bear on Disney.

A further attack was launched on Disney by King Features when the Jews accused Disney of being a "Nazi" because they claimed that there was a swastika drawn in a Mickey Mouse cartoon in a panel in a cartoon on June 19th, 1940. The swastika was "in the form of two crossed musical notes."

Efforts to get Disney to support Roosevelt and his "get us into war" effort failed as long as Walt Disney kept tight control over his studio.

In an effort to get Disney away from the studio Roosevelt instructed Nelson Rockefeller to make Disney a part of a tour to South America by actors allegedly sent to "counter Nazi propaganda in South America." Rockefeller had been named the "Official Coordinator" of the State Department's Inter-American Affairs group.

Roosevelt was particularly concerned because of Disney's appearances at America First rallies alongside Charles Lindbergh. From all indications, Roy Disney was a part of the plot to get Walt away from the Disney studio so the "strike could be settled" and so Walt could "clear" himself of the charges levelled against him of being a "Nazi" sympathizer.

Walt and his entrouge left for South America on August 17th, and on the 9th of September, Roy Disney met with James F. Dewy and agreed to "arbritation" to settle the strike.

When Walt received news of the sell out by Roy, he vowed to close down the studio forever rather then have the red dominated Cartoonists Guild run his studio.

It seems that Roosevelt and the Jews had made plans well in advance to shut down Disney studios. On December 8th, 1941 the Army seized Disney studios claiming that they had to use it as a "defense station" to protect Lockheed which was nearby. Disney's studio was the only one seized by the government.

His studio and production facilities sequestered by the government, Disney was now without a job. The next step in the plot against Disney was when the Naval Bureau of Aeronautics contacted him and offered him $80,000 to make twenty animated training films. The anti-Disney move was evidently orchestrated by Secretary of the Treasury Henry Morgenthau.

According to Disney he had been forced to "accept that Jew" Morgenthau, and was being forced by circumstances to be used by Morgenthau "...to deliver political propaganda films that cashed in on the popularity of that all American mouse Mickey..." Disney referred to his cartoon characters as captives who were forced to perform for the Stromboli-like Morgenthau."

The "crowning achievement" of the eternal Jew, Morgenthau was to have Disney produce a cartoon featuring Donald Duck which openly mocked Hitler, with the title Der Fuhrer's Face.

According to Eliot, this move by Morgenthau produced "more animosity" between Disney and Morgenthau, as Disney made the movie under protest. However, Morgenthau mad it look like Disney approved of the project and had him given awards by Hollywood and moved more business his way. The studio was returned to Disney eight months after it was closed.

Trying to ad insult to injury, the National Council of Christians and Jews contacted Disney in an effort to get him to make a cartoon to promote "unity" in America. They told him that the move would "depict human prejudices."

Disney rejected the proposal outright and said it was a disguised attempt by the National Council of Christians and Jews to promote communism in America.

This attempt to recruit him by the "Brotherhood" gang confirmed Disney's view that Hollywood was being consumed by communism. In response he set out to make "battle plans" to counter their moves and to recruit "soldiers" for the fight against the reds in Hollywood.

One of the first moves he made was to help found the Motion Picture Alliance for the Preservation of American Ideals in 1944. He was a co-chairman of the organization

and among its members were: Robert Taylor, John Wayne, Gary Cooper, Ward Bond, Charles Coburn, Adolphe Menju, Hedda Hopper and sixty five other key Hollywood personalities.

As vice-president of the MPA, Disney wrote to Senator Robert R. Reynolds and called on the House Committee on Un-American Activities to investigate red influence in Hollywood. In his open letter of March 7, 1944 Disney said that Hollywood had been "coddling Communists...and those with un-American beliefs."

Having been denied access to the power and profits of Hollywood by the Jews and Communists, Disney felt it was time to strike back. Both Disney and the Jew Samuel Goldwyn had been cut off from full market access by the "big five" who controlled most of the theaters in America: Paramount, Loews, Waners, Twentieth Century Fox and RKO.

When the Fox owned T & D theaters insulted Goldwyn when he wanted to exhibit his movie Up In Arms, Disney joined with Goldwyn in trying to break the hold of the "big five" over film distribution. They rented the El Patio nightclub to review the movie and then all hell broke loose.

The power of the "big five" was evident when the Reno county commissioners issued multiple violations for the El Patio and the fire department said it would prevent the showing. To appease the "big five" the proceeds of the showing had to be contributed to the Red Cross.

Legal action was taken to break up the "big five" monopoly by SIMPP and in the case of the United States of America vs. Paramount the supreme court ruled that the "big five" were prohibited from expanding their holdings and control over the production, distribution and exhibition of movies. A small victory for Disney, but a victory, nonetheless.

The actions of Disney, SIMPP and the handful of patriots in Hollywood led to the House Committee on Un-American Activities investigating hundreds of reds in Hollywood, most of them being Jews. A number of the most notorious reds were blacklisted by Hollywood move makers because of fear that the HUAC would also investigate them. The ban on outright reds in Hollywood lasted until around 1965. After that many of those "blacklisted" by the HUAC were back in Hollywood making movies "exposing" their "persecution."

One of the first efforts by the reds to show their rehibilitation and power over Hollywood was the movie the Front, by Woody Allen. From screenwriters to producers to actors those involved in the movie the Front, were Hollywood reds who had been investigated by the HUAC and had been fired from their jobs by Jewish studio owners and producers who were afraid not to fire them. The Jewish owners of the major studios knew that to allow those named as Communists by the HUAC to keep working would provoke the HUAC to investigate them as well. To circumvent this, the Jewish studio owners put a number of them on the "blacklist" which kept them from working. However, as depicted in The Front, most of them kept working by hiring front men to to use their names on their manuscripts.

It seems that Americans have short memories and by the time Walt Disney died in 1966, the Jewish reds were back in Hollywood thumbing their noses at those who had fought so hard to bring Hollywood back under American control.



Always short of funds, Disney found a temporary ally in billionaire Howard Hughes. Hughes had purchased RKO studios and distribution and was also wary of the Jewish control of not only Hollywood but America. Hughes loaned Disney millions of dollars---interest free, which Disney paid back in full.



While a good businessman, Hughes was a poor movie studio manager. Perhaps, when he took RKO over from the Jews, the Jews who stayed on found it in their interest to break Hughes by producing flop after flop for him, as they have recently done to Columbia Pictures.

In any case, Disney wanted his own means of distribution and founded Buena Vista. Hughes offered to give Disney RKO for free and also give him a $10 million credit line with no interest rate. However, Disney's advisors soured him on the deal and he turned it down. Again, was it Rosenberg of the Bank of America who advised him to turn down the deal, fearing that in charge of RKO he would become a major challenge to the Jewish domination of Hollywood?

After fighting the Jewish powers that control Hollywood, Disney became fascinated by the idea of forming theme parks. He eventually turned over control of Disney studios to his brother Roy and devoted full time to fulfilling his theme park dream.

Disneyland opened in 1955 and Walt Disney died December 5, 1966 Walt Disney, after a long bout with cancer.

Then the battle for the "Magic Kingdom" began.

One of the major drawbacks to Disney was the fact that his older brother Roy, was an accountant who turned manager. Roy had no vision and no courage to stand up for his convictions. When things got tough, Roy would always cave in to the opposition and even go against Walt's wishes, as happened during WW II when he moved to settle the red strike against the Disney studios when Walt was out of the country.

Walt's venture into the "new" TV phenomena in the 1950s with the "Mousketeers" was successful beyond his dreams. However, Walt spared nothing in developing, directing and producing the "Mousketeers" and after the expense of production, the show lost money for Disney. He kept it going because it promoted Disney products, brought the Disney concept to national TV and he felt it would be a key vehicle for promoting his new Disneyland concept.

Walt's first choice for Disneylandia, as he first called it, was Burbank. However, the attempt to build it there ran into constant trouble from the city council, which Walt felt was being influenced against him by Universal Studios. He then built Disneyland in Anaheim.

With the Mickey Mouse Club, ABC and the Jew Leonard Goldenson made their mark as a competing network. The Disney shows on ABC made it into a real competitor with the CBS and NBC.

Around 1960 Disney complained to Goldenson that there were too many commercials on the shows. As other Jews had done to Disney, Goldenson cancelled the two Disney shows. ABC had now made so much money off Disney that they could produce their own shows and, again Disney was cut out of his fair share of Hollywood profits by the Jewish "Brotherhood."

To keep his shows on national TV Disney approached NBC. However, Goldenson refused to let Disney out of his contract and Disney took ABC to court. In the end ABC turned over all rights to Disney productions and products to Walt and cut all ties with him.

As Disney became more absorbed in his theme park he started shifting more responsibility to his son in law Ron Miller. This caused animosity from his brother Roy who felt that his son Roy E. Disney should be the future "King" of the Disney Empire. The problem was that neither Ron, Roy or Roy E. were really able to handle the Disney conglomerate and future events would prove this out.

When Walt died the bulk of his estate went to the his wife and the female members of the family. His brothers Roy and Raymond were left out of the will as Walt believed that men should make their own livings and didn't need his help.

In 1967 Ron Miller and Roy E. Disney were elected to the studio's board of directors. Since both were antagonistic to each other, two "committees" were formed to run the Disney Empire.

Roy senior died in 1971, opening Disney up to challenges from all sides.

Some Walt Disney loyalists were appointed to key positions in the studio and this didn't fit well with Roy E. Loyalist Card Walker became the president of Walt Disney Productions and Roy E. resigned from the board. However, the stock his father had given him made him the largest single stockholder.

Ron Miller and his associates at Disney then proceeded to make a series of movie "flops" and this prompted Roy E. to make moves he believed would keep the studio from going under. Advising Roy E. in his moves was attorney Stanley Gold, another Hollywood insider.

Gold urged Roy E. to hire his former law partner Frank Wells. Wells had been a vice-president at Warner Brothers. Roy felt he was in "good hands" with what studio employees called the "Troika."

As soon as he was in place, the Jew Frank Wells recommended that the studio hire Michael Eisner to replace Ron Miller. Eisner had been the president of Paramount Pictures, and had been recommended for the job by another Jew, Barry Diller who was chairman of Warner Brothers.

Seeing discontent at Disney, the Jew Saul Steinberg felt that Disney was ripe for a corporate takeover.

Using rumors of discontent, the Jews drove Disney stock down almost 50% causing a near panic

at the studio. Roy E's stock fell from $80 million to $50.

Roy was advised that a corporate takeover could be fought and that junk bond king Michael Milken was the man to "save" Disney. He was hired by Roy E., Gold and Wells without the knowledge of the other board members.

Roy E. had wanted to purchase back most of the Disney stock to stop the proposed junk bond takeover. However, the Jews at the Bank of America advised him that Steinberg could raise so much funny money that Disney would not be able to do so. At this point corporate raider Ivan Boesky entered the fray and made millions on the stock based on inside information he had received from Jewish insiders at Disney.

The Jews were now in a position to completely take over Disney. The Jews at Disney convinced the board to pay what is called "greemail" to Steinberg and he was given a $31 million dollar pay off to call off his fight to take over Disney. Roy E's Jewish advisors came out on top taking control of Disney while Roy E. was "paid off" by being made Chairman of Walt Disney Feature Animation at a yearly salary of $850,000.



Gold convinced Roy E. that Ron Miller was responsible for the decline at Disney and that he should be replaced. Miller was asked by the board to step down and on August 17, 1984 the board asked Miller for his resignation. He resigned and his seat was taken over by the Jew Stanley Gold.

The Jews had effectively eliminated Disney heir apparent Ron Miller and now they started moving more Jews into Disney.

On September 22, 1984 the board of directors appointed Michael Eisner and Frank Wells to head Disney Productions.

Eisner then brought another a Jew Jeffrey Katzenberg over to Disney from Paramount. Katzenberg's job was to "revamp" Disney studios. Old Disney loyalists were considered by the self "chosen" to be "dead weight" and over 400 were fired and replaced by a hand picked team of Jews from Paramount.

Former Morris Agency employee David Hoberman was put in charge of Disney subsidiary Touchstone Pictures. Richard Frank was recruited from Paramount to "revitalize" Disney's television interests.

Jews had now taken over control of Disney. They used the Touchstone and Miramax to make racy and anti-Christian movies that Walt Disney would never have allowed at his studio. Although gays were prohibited from any activities at Disneyland while Walt was alive, after the Jewish takeover, Eisner openly invited and courted homosexual groups to hold "dances" and events at the theme parks.

As we go to press a number of magazines have carried news articles gloating over how "Disney would be turning in his grave" if he knew what had now happened to his theme parks and movie productions.

From the very beginning Disney was considered a "goy" outsider by the Jews who stole from Thomas Edison. They had defied the "goy" Edison and by their tenacity had beaten him. They blocked out Disney because he wasn't one of the self "chosen" and Disney had to fight his whole life to break into the closed Jewish society called Hollywood.

Disney didn't like Jews and used every means at his disposal to counter them. According to Eliot, Disney at an early age had been informed by his father about the self "chosen" and how they operated.

For awhile Disney was able through the HUAC to root out those Jews and non-Jews in Hollywood who had supported Communist causes. At least for fifteen or twenty years, he had his revenge.

While Disney was alive the "Magic Kingdom" remained in good hands in spite of his spineless brother Roy. His self chosen heir, Ron Miller proved to be no match for Ray and the ruthless Jews who became his close advisors.

Disney who was the descendant of Crusaders who left their village of Isgny in 1066 to fight the good fight, fought the good fight all his life. While alive he manned the ramparts and like his Crusader ancestors fought off the Jews. However, despite his efforts he could not defeat the Jewish forces who made up the anti-Christ kingdom called Hollywood.

The Jews may gloat while they savor their victory in storming and taking the last White stronghold in Hollywood. However, he who laughs last, laughs best, and the time will come when Walt Disney will have his victory over the self "chosen."



Stolen from: http://www.churchoftrueisrael.com/identity/edison-jew.html
Only the two final paragraphs have been edited to remove the Christinsanity from what is otherwise a damned good article with few grammatical errors.

[Jews who changed their names to pass as White]

Jews who changed their names to pass as White

Adopted White Name . . . . . . . . . . . . . Real Jewish Name

Joey Adams ....................................... Joseph Abramowitz 

Eddie Albert .......................................Eddie Heimberger

Woody Allen....................................... Allen Konigsberg

Lauren Bacall ..................................... Betty Joan Perske

Jack Benny ........................................ Benny Kubelsky

Milton Berle ....................................... Milton Berlinger

Ernest Borgnine ...................................Effron Borgnine

George Burns ..................................... Nathan Birnbaum

Joan Blondell...................................... Rosebud Blustein

Joyce Brothers ...................................Joyce Bauer

Mel Brooks ........................................ Melvin Kaminsky

Joey Bishop ....................................... Joey Gottlieb

Charles Bronson .................................. Charles Buchinsky

Rona Barrett .......................................Rona Burnstein

Cyd Chrisse ........................................Tula Finklea

Tony Curtis (daughter is Jamie Lee Curtis).............. Bernhard Schwartz

Joan Crawford .................................... Lucille Le Sueur

Dyan Cannon ...................................... Samile Diane Friesen

Kirk Douglas (son is Michael Douglas) .................. Issur Danilovich Demsky

Bob Dylan ..........................................Robert Zimmerman

Rodney Dangerfield ..............................Jacob Cohen

Douglas Fairbanks, Jr. ........................... Douglas Ullman

Joel Grey (father of Jennifer Grey).................... Joel Katz

Zsa Zsa Gabor .....................................Sara Gabor

John Garfield .................................... Julius Garfinkle

Judy Garland ..................................... Frances Gumm

Paulette Goddard ................................ Pauline Levee

Eydie Gorme...................................... Edith Gormezano

Elliott Gould ......................................Elliott Goldstein

Cary Grant ....................................... Larry Leach

Lorne Green ......................................Chaim Leibowiz

Judy Holliday .................................... Judith Tuvim

Leslie Howard .................................... Leslie Stainer

Buddy Hackett ................................... Leonard Hacker

Jill St. John ...................................... Jill Oppenheim

Danny Kaye....................................... David Kaminsky

Alan King ......................................... Irwin Kniberg

Larry King.........................................Larry Zeiger

Tina Louise........................................Tina Blacker

Ann Landers (Abigail Van Buren is her sister) ...........Esther Friedman

Dorothy Lamour ................................. Dorothy Kaumeyer 

Miehael Landon ................................. Mike Orowitz

Steve Lawrence ................................. Sidney Leibowitz

Hal Linden........................................ Hal Lipshitz

Jerry Lewis ...................................... Joseph Levitch

Karl Maiden ...................................... Maiden Sekulovitch

Paul Muni ........................................ Muni Weisenfreund

Ethel Merman ................................... Ethel Zimmerman

Jan Murray ....................................... Murray Janofsky

Walter Matthau .................................. Walter Matasschanskayasky

Lilly Palmer ...................................... Maria Peiser

Jan Peerce....................................... Jacob Pincus Perelmuth

Roberta Peters................................... Roberta Peterman

Eleanor Parker................................... Ellen Friedlob

Joan Rivers ...................................... Joan Molinsky

Tony Randall ..................................... Leonard Rosenberg

Edward G. Robinson ............................. Emmanuel Goldberg

Dinah Shore .......................................Francis Rose Shore

Shelly Winters ................................... Shirley Schrift

Gene Wilder...................................... Eugene Silverstein

Winona Ryder..................................... Laura Horowitz

[An Error Has Occurred!]

Here's something I thought interesting: American Militant Society Forum http://www.americanmilitant.org/amsforum/index.php

If I try following the link directly there, I receive a notice saying

An Error Has Occurred!
Sorry Guest, you are banned from using this forum!

And yet, if I use a proxy to view the page I can view everything:
http://hiproxy.net/index.php?q=aHR0cDovL3d3dy5hbWVyaWNhbm1pbGl0YW50Lm9yZy9hbXNmb3J1bS9pbmRleC5waHA%3D&hl=3ed

Since I do not know this group from a bar of soap, it is definitely not a personal ban. So what I am wondering is how many others are banned and what countries are you all in? And if we are banned because we are not American, how widespread is this amongst American Nationalist sites?

Does this mean that American Nationalism now supersedes race over there? Should any White Australian, White British or White South African travelling to America expect to be shot by gun slinging Charles Bronson (AKA Charles Buchinsky) wannabe because our accent gives us away as un-American? Is it now cool for the Georgia Militia to hang with their Spic and Nigger Homies while blowing the brains out of descendants of the greatest empire that ever existed? Or is it a legal ruse to do with freedom of speech laws?

I know one of you here - a non-Church Member BTW - is a member of this American Militant Society Forum, so perhaps you or anyone else already have the answers. If so, do tell.

@Cailen.

[Radio host investigated for "inciting hatred against Muslims" by telling the truth about Muhammad]

Radio host investigated for "inciting hatred against Muslims" by telling the truth about Muhammad

Strictly speaking, Michael Smith was wrong. Muhammad did not marry a nine-year-old and consummate the marriage when she was eleven. He actually married a six-year-old and consummated the marriage when she was nine: "The Prophet wrote the (marriage contract) with 'Aisha while she was six years old and consummated his marriage with her while she was nine years old and she remained with him for nine years (i.e. till his death)." – Bukhari 7.62.88. http://www.usc.edu/schools/college/crcc/engagement/resources/texts/muslim/hadith/bukhari/062.sbt.html#007.062.088

But that is not why he is being investigated. He is being investigated because he told a truth — Muhammad, the prophet of Islam, had sex with a child — and Muslims consider truth-telling to be "inciting hatred against Muslims." Witless dhimmi Australian authorities are going along. It is ever thus. Last night the dishonest Imam Moustafa Zayed, in our second debate, kept claiming that I was inciting hatred against Muslims — and there again, his only evidence was that I tell truths about Islam that he would prefer not be told.

"2UE host's remarks on prophet investigated," by Heath Aston for the Sydney Morning Herald, August 14:

THE radio presenter Michael Smith is being investigated by the media watchdog over his assertion that the prophet Muhammad "married a nine-year-old and consummated it when she was 11".The Australian Communications and Media Authority confirmed in a letter dated July 21 that it was investigating the remarks by the 2UE afternoon host.

Adem Cetinay, a Muslim from Bossley Park, complained that Mr Smith was inciting hatred against Muslims through his July 5 broadcast.

"By making this remark he is asserting that God's messenger is a paedophile. This is racist, it's stupid and it is not needed on air," he wrote to the station's program director, Peter Brennan.

Mr Brennan replied that Mr Smith had made the ''throwaway line''.

''However, at no time did he refer to any Prophet's name, nor did he use the word 'Prophet'. He did not refer to anybody whatsoever in the broadcast,'' he wrote.

Mr Cetinay took his complaint to ACMA http://www.acma.gov.au/WEB/STANDARD/pc=PC_90137. In a letter, the authority's Eileen Haley said it would embark on an investigation that could take ''several months''.

Meanwhile, Mr Cetinay is awaiting a response over a separate complaint about remarks Mr Smith made over the controversial ''Jesus: a prophet of Islam'' billboard.

''What if someone whacked up a billboard and said well, I think it's a fact that because Muhammad was married to a 11 ... you know consummating a marriage with an 11-year-old, by these standards he's a paedophile". His guest, Diaa Mohammed, the founder of MyPeace, which erected the sign, agreed that Muhammad had consummated his marriage with an 11-year-old....

Al Sharpton HILARIOUS 'but resist we much' BLOOPER EPIC FAIL teleprompter mishap

[@Cailen.]

Showing weakness in the face of the Islamic onslaught is why Ms Elizabeth Potter will one day be forced to wear a headscarf.

@Cailen.

-----Original Message-----
From: Elizabeth Potter elizabeth@myfellowamerican.us
Sent: Friday, August 12, 2011 3:20 AM
To: cambeul@sacreator.com
Subject: In response to the Oslo attacks

Hello

My Fellow American is a film project in the United States devoted to recognizing that Muslims are our neighbors. I am reaching out to you because you addressed the recent events in Oslo, Norway, on A Creativity Alliance Website and I am hoping you will share this message of tolerance with your readers. We've put together a 2 minute film that I believe you will be interested in sharing, watching, and discussing:

http://myfellowamerican.us

I would love it if you could post or tweet about this and share the video. If you can, please let me know. I am here if you have any questions. Thank you so much.

Elizabeth

--
Elizabeth Potter
Unity Productions Foundation
http://myfellowamerican.us
http://www.facebook.com/MyFellowAmericanProject
http://www.twitter.com/@usmuslimstories

White Kids You Know - Race War

[African American vs White: State Fair: Milwaukee, Wisconsin, USA.]

African American vs White: State Fair: Milwaukee, Wisconsin, USA.

Witnesses describe mobs, some people claim racially-charged attacks

http://www.todaystmj4.com/news/local/126825018.html

Hundreds of racist Black youths attack Whites at Wisconsin State Fair

WEST ALLIS - Witnesses tell Newsradio 620 WTMJ and TODAY'S TMJ4 of a mob of young people attacking innocent fair-goers at the end of the opening night of State Fair, with some callers claiming a racially-charged scene.

Milwaukee Police confirmed there were assaults outside the fair.

Witnesses' accounts claim everything from dozens to hundreds of young black people beating white people as they left State Fair Thursday night.

Authorities have not given official estimates of the number of people involved in the attacks.

"It looked like they were just going after white guys, white people," said Norb Roffers of Wind Lake in an interview with Newsradio 620 WTMJ.  He left the State Fair Entrance near the corner of South 84th Street and West Schlinger Avenue in West Allis.

"They were attacking everybody for no reason whatsoever."

"It was 100% racial," claimed Eric, an Iraq war veteran from St. Francis who says young people beat on his car.

"I had a black couple on my right side, and these black kids were running in between all the cars, and they were pounding on my doors and trying to open up doors on my car, and they didn't do one thing to this black couple that was in this car next to us.  They just kept walking right past their car.  They were looking in everybody's windshield as they were running by, seeing who was white and who was black.  Guarantee it."

Eric, a war veteran, said that the scene he saw Thursday outside State Fair compares to what he saw in combat.

"That rated right up there with it.  When I saw the amount of kids coming down the road, all I kept thinking was, 'There's not enough cops to handle this.'  There's no way.  It would have taken the National Guard to control the number of kids that were coming off the road.  They were knocking people off their motorcycles."

... "I saw them grab this white kid who was probably 14 or 15 years old.  They just flung him into the road.  They just jumped on him and started beating him.  They were kicking him.  He was on the ground.  A girl picked up a construction sign and pushed it over on top of him.  They were just running by and kicking him in the face."

Then, Eric talked about trying to get out of the car to help the victim.

"My wife pulled me back in because she didn't want me to get hit.  Thankfully, there was surprising a lady that was in the car in front of me that jumped out of the car real quick and went over there to try to put her body around the kid so they couldn't see he was laying there and, obviously, defenseless.  Her husband, or whoever was in the car, was screaming at her to get back into the car.  She ended up going back into the car.  These black kids grabbed this kid off the ground again, and pulled him up over the curb, onto the sidewalk and threw him into the bushes like he was a piece of garbage."

Eric claimed that the victim in that beating was by himself, and that there was a split of white people on one sidewalk and black people on the other.

"There was nobody else around to help him.  There were no other white people, period, on that side of the street.  They were going in the opposite direction because, those people who were coming out of the fair that saw these people coming, they either went back into the fair or took off running south on 84th Street."

Eric expressed anger at the State Fair Police for what he considered a lack of response.

"The thing that irritated me, the State Fair Police, the State Police, were down by the Pettit entrance to get in there," said Eric. "There was probably 5 or 6 officers down there.  That's where all these kids came from.  They came out of the Midway, across the front of the Pettit.  They were still filing out of there.  The State Fair Police, they knew this was going on.  They knew these kids were beating these guys in between that exit and Schlinger at the next gate."

"They were stopping traffic, and I said 'What in the hell,' excuse my language, 'what are you guys doing directing traffic when there are 300, 400 black kids up the road beating the hell out of everybody, pushing people off of motorcycles?'  I was livid.  I could not believe they were directing traffic." [more ...]

[Modern humans 'crowded out Neanderthals']

Modern humans 'crowded out Neanderthals'

http://www.adelaidenow.com.au/news/world/modern-humans-crowded-out-neanderthals/story-e6frea8l-1226103988454

A SWELL of modern humans outnumbered Neanderthals in Europe by nearly 10 to one, forcing their extinction 40,000 years ago, a study of French archeology sites suggests.

Scientists have long debated what caused the Neanderthals to die off rather suddenly, making way for the thriving population of more advanced Homo sapiens who likely moved in from Africa.

The latest theory, published in the journal Science today, is based on a statistical analysis of artifacts and evidence from the Perigord region of southern France, where the largest concentration of Neanderthal and early modern human sites in Europe can be found.

Researchers at the University of Cambridge found more sites where modern humans settled, larger settlement areas, greater densities of tools and bigger amounts of animal and food remains, suggesting Neanderthals were crowded out.

Homo sapiens also likely had more elaborate social networks and possibly sharper brains, as evidenced by the stone tools, jewellery and artwork they left behind which was much more advanced than Neanderthal creations.

Their arrival in such large numbers likely forced Neanderthals from their habitual settlements and into places where food and shelter were harder to find, said lead author Paul Mellars of Cambridge University.

"It was clearly this range of new technological and behavioural innovations which allowed the modern human populations to invade and survive in much larger population numbers than those of the preceding Neanderthals across the whole of the European continent," he said.

"Faced with this kind of competition, the Neanderthals seem to have retreated initially into more marginal and less attractive regions of the continent."

The last traces of Neanderthals, who had survived on the continent for some 300,000 years, have been uncovered in caves in modern-day Spain and Gibraltar.

Mr Mellars suggested a final death blow may have been delivered by a harsh cold snap, a theory that has been debated in the scientific community for many years.

The Neanderthals' extinction may have been "accelerated further by sudden climatic deterioration across the continent around 40,000 years ago", he said.

[Holocaust themed jacket prompts consumer outrage]

Holocaust themed jacket prompts consumer outrage

Max Mason | July 29, 2011

http://www.smh.com.au/lifestyle/holocaust-themed-jacket-prompts-consumer-outrage-20110729-1i2zs.html

Alternative Article: http://www.huffingtonpost.com/2011/07/27/belsen-was-a-gas-military-parka_n_910978.html

Apology ... the 'Belsen Was A Gas' women's parka from Evil Twin.

An Australian designer has been forced to apologise for referencing the Holocaust in the name of one of its garments.

The "Belsen Was a Gas" military parka designed by Australian label Evil Twin, caused a furore among shoppers on the online retail website Buy Definition this week.

Shoppers condemned the label for "committing the sin of such hateful, shallow and selfish callousness".
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The website responded by pulling the product down temporarily before offering it for sale again, labelled simply "Military Parka".

A statement from the Australian-based company last night apologised for the name and said the garment had been removed from sale.

"We did not intend to refer to the tragic events which occurred during the Holocaust. We apologise for this oversight and any distress the garment name has caused," the statement said.

But an online search shows the parka still being marketed under its original name on fashion websites.

Buy Definition also apologised to shoppers and said it believed the garment was named after the controversial Sex Pistols song of the same name released in 1979.

sex pistols - belson was a gas (lyrics)

The song created anger at the time with lyrics such as "Belsen was a gas, I heard the other day ... Life is fun and I wish you were here".

Bergen-Belsen (often referred to as Belsen) was a Nazi concentration camp during World War II.

Although there were no gas chambers at the camp, nearly 40,000 people died there during the Nazi reign.

It's not the first time the fashion industry has come under fire for its use of military history.

At Sydney Fashion Week in 2008, New Zealand designer Kate Sylvester caused a stir over her use of medals from various war campaigns. The Returned Servicemen's League said it was insulted by the use of the medals, including an Australian Vietnam Medal draped over a bare thigh.