How is it possible to get so much wrong in just two paragraphs? Neither the book author nor the book reviewer know anything about the world of Creativity, much less White Pride - but they do know how to listen to and promote rumour.
We'll begin here with the corrections before presenting the extract from the source article:
* Ben Klassen founded the Church of the Creator - not the
World Church of the Creator/WCOTC. The WCOTC was but a mere seven year blip on the more than 45 year history of Creativity. We Creators sometimes use the names Creativity, Church of Creativity and Church of the Creator interchangeably, but the WCOTC has been dead going on two decades now. As for the
founder of the WCOTC, he is in prison for what will probably be the remainder of his life. To many Creators, he's as dead as his short-lived WCOTC. Ben Klassen as the Founder of Creativity will be forever remembered; while
what's-his-name that founded the WCOTC based on Ben Klassen's life's work has already been largely forgotten.
* Creativity is not Christianity minus the spooks. The White Man's Bible (https://creativityalliance.com/23/ebooks/eBook-BenKlassen-Nature'sEternalReligion.pdf) is not the Christinsane babel predicated by faerie-tales of Jewish Supremacy. The White Man's Bible is a series of books exploring the basis of Christianity and Judaism in the historical sense, while outlining and defining a (new) dynamic nature-based religion for White People everywhere sans borders or cultural or socio-economic restraints: Creativity.
* George Burdi was never "the leader" of Creativity in Canada. Burdi was a Skinhead singer of racial rock band, Rahowa. He had a Skinhead fanbase, but he was no leader. In fact, when he travelled to North Carolina to visit Ben Klassen, Burdi's daddy showed up to take his boy home, and away from the nasty racists. Later on, Burdi decided he wanted more from the music scene than he was getting from his Skinhead fanbase, so he turned traitor, denounced everything he once claimed to stand for, and failed miserably as a man. Burdi no longer has a fanbase and is a freak hated by all - except for perhaps his dot-headed Black "Aryan" wife.
* Tax Exempt Status? That was taken from the Premier Church when Ben Klassen was still alive and well. We have not pursued nor do we intend to pursue tax exempt status again. Put simply, who gives a damn if we have to pay tax on stationary? It's not worth the money to pay a small fortune to certified practising accountant to claim a few niggardly dollars from the JOG every year.
I have no doubt that buried in the article source' website I will find - if I cared to look - another article explaining that the Black Supremacy and promotion of Black on White Violence in (c)Rap Music is all good, because it's about Black Rights and how Black Lives Matter ... and only White People can be RACIST.
I label this book a WOFTAM - i.e. A Waste Of Flaming Time And Money. Don't buy it. And don't waste your time reading it. You've got better things to do.
@Cailen.Book - "Trendy Fascism": White Power Music and the Future of Democracy by Nancy S. Lovehttp://www.sunypress.edu/p-6271-trendy-fascism.aspx
Quote from: LibtardsNancy S. Love is Professor of Political Science and Humanities Council Coordinator at Appalachian State University. She is the author of Musical Democracy and coeditor (with Mark Mattern) of Doing Democracy: Activist Art and Cultural Politics, both also published by SUNY Press.
Book Review by George D. Pappas (http://www.truth-out.org/author/itemlist/user/53903) | Truthout (http://www.truth-out.org/) | 10 March 2018
http://www.truth-out.org/opinion/item/43755-trendy-fascism-white-power-music-and-the-future-of-democracy
Table of Contents1. Mobilizing White Power: Music, Culture, and Politics
2. Playing with Hate: Racist Skinheads, Skrewdriver, and Liberal Tolerance
3. Imagining A White Nation: Neo-Nazi Folk, Family Values, and Prussian Blue
4. Building A Church: Rahowa, Heavy Metal, and Racial Ecology5. Recycling White Trash: Aesthetics, Music, and Democracy
Book Review Extract: There is little doubt that music and lyrics are being consciously produced to attract the young with what Love cites as the "epistemology of ignorance" -- a powerful descriptor of how the music is a powerful tool to attract the youth beyond text. Love explains, "In the modern, secular West, white supremacists have continued to use religion to shape group identity, guide political actions, and build racial solidarity."
Love takes the reader into the "racial world" of the World Church of the Creator, also known as "Creativity." Founded by Ben Klassen, the Church of the Creator mimics traditional religions by incorporating the Bible, ritual song, symbol and even tax-exempt status, but rejects belief in the supernatural, or what Klassen calls, "spooks in the sky."
Through the emotional power of musical genres such as, heavy metal, Goth and electronica, the beliefs of the white supremacist movement were spread by such labels as Resistance Records. Resistance records, once the major distributor of white power music in the United States, was founded by the Canadian leader of Creativity, George Burdi. Burdi used his band, Racial Holy War (RaHoWa), a Goth metal band, to convey the message of Creativity through its music. Love connects the dots between the World Church of the Creator and music when she writes "Burdi, who understands the emotional power of RaHoWa's music to mobilize followers ... explicitly affirms and invokes the anger, hatred, and violence toward racialized Others that fuels white supremacist violence."What I found most intriguing was Love's deconstruction within the white supremacist music scene in which she identifies and elucidates song lyrics. Love exposes the insidious exploitation of folk music in the United States by neo-Nazi groups. "With its neo-Nazi folk genre, the white power movement joins, co-opts, and shifts the long-standing social reformist tradition of folk and protest music in America. It embraces folk music as a racially pure expression of white culture." ....
Dr. George D. Pappas is a lawyer and author of The Literary and Legal Genealogy of Native American Dispossession.
Google Search ...http://books.google.com/books?q=church-of-the-creator&btnG=Search+Books (http://books.google.com/books?q=church-of-the-creator&btnG=Search+Books)
I think Burdi was getting some nigger loving in the Pen which made him denounce his racist thoughts, ways and lifestyle.
He's was definitely getting some lovin from a street-*ting darkie from India. You seen the savage Burdi married? She's in this video.
https://www.youtube.com/watch?v=3a6boxHoPQI
Speaking of Dirty Burdi, despite him forming that multiCULTural band Novacosm (complete a nigger on bass and a Jew on guitar) and even joining "Life After Hate," seems to me he wants to come back to us. I remember seeing him on Stormfront (his username was Novacosm) when I frequented the site, but he hasn't been on in a while. More recently on his Twitter, he's been posting a lot of racialist stuff, but it's honestly half-assed like everything Richard Spenser does.
But I'll quote Burdi from his little 2001 interview with the SPLC on if he ever turned his back on his Jewish masters: "If I go back to the movement now, and you can be my witness for this, then somebody should lobotomize me." Well, Mr. Burdi, if that is what you desire...
Here's two of Burdi's threads he started on Stormfront (they're kinda old):
https://www.stormfront.org/forum/t793414/
https://www.stormfront.org/forum/t178786/
Here's his Twitter: https://twitter.com/georgeburdi?lang=en
And here's an interview with him from December, 2017:
http://veriyhteys.tumblr.com/post/168676717555/an-exclusive-interview-with-george-burdi
Leaving and turning your back on a Movement you built from the ground up is one thing but dipping a nigger in the rear is another, He is tainted now and should be shunned from all Pro-White Alliances and Movements worldwide.
He is not worthy of ever walking in white mans shoes and I wonder why no one has ever buried him arse up in a shallow grave.